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The Book of Alternative Photographic Processes, by Christopher James
PDF Ebook The Book of Alternative Photographic Processes, by Christopher James
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Photographic artists and students of alternative process photography will welcome this new edition of Christopher James' The Book of Alternative Photographic Processes. This significantly expanded edition is a full-color, lavishly illustrated, comprehensive resource that explores every aspect of alternative process image making. With his highly conversational writing style, James explores the techniques, processes, idiosyncrasies, history, and cultural connections that are such a significant part of the genre. Best of all, James makes it extremely accessible, providing clear instructions and practical workflow advice. The book delves into a vast menu of alternative and traditional options, among them: calotype, salted paper, cyanotype, argyrotype, chrysotype, POP, kallitype, ambrotype/wet collodion, Van Dyke, platinum/palladium, Ziatype, gelatin dry plate emulsions, carbon, gum bichromate, albumen, hand-applied emulsions, paper, alternative imaging systems, and digital negative production for alternative process image making. This book has become the unanimous standard reference text for alternative process photography, one that students love to read and work from. Not only does this definitive work make the most complex ideas easy to understand, it is conversational, comfortable, inspirational, and fun to read- a tremendous resource and a treasure trove of alternative process images. "The first edition was a stunning achievement, and one I felt that was not likely to be superceded. Five short years later Christopher James has created a very new work and a new standard. The Book of Alternative Photographic Processes: 2nd Edition is, by far, the best alternative photographic process book ever!" - Richard Sullivan, Founder and Co-Owner, Bostick & Sullivan "If I could only have one photography book this would be it." -Timothy Whelan, Photographic Books
- Sales Rank: #367158 in Books
- Published on: 2008-02-12
- Original language: English
- Number of items: 1
- Dimensions: 1.17" h x 8.55" w x 10.86" l, 3.91 pounds
- Binding: Paperback
- 660 pages
Review
"The first edition was a stunning achievement, and one I felt that was not likely to be superceded. Five short years later Christopher James has created a very new work and a new standard. The Book of Alternative Photographic Processes: 2nd Edition is, by far, the best alternative photographic process book ever!" - Richard Sullivan, Founder and Co-Owner, Bostick & Sullivan
"As bit strings take over our photographic being - if not our lives - we need, more than ever, this playful and inspiring manual. James cheerfully and effectively instructs us, whether we are novice or adept, in the alchemical arts of transmuting our expressive photographic images, both digital and analogue, into hand-crafted prints which will forever bear our individual marks." - Dr. Mike Ware, Author of over 50 publications on alternative process, history, process and preservation.
"If I could only have one photography book this would be it." - Tim Whelan Photographic Books
About the Author
Christopher James is an internationally known artist and photographer whose photographs, paintings, and alternative process printmaking have been exhibited in galleries and museums in this country and abroad. His work has been published and shown extensively, including exhibitions in The Museum of Modern Art, The Metropolitan Museum of Art, The George Eastman House, and the Philadelphia Museum of Art. The first two editions of his book, The Book of Alternative Photographic Processes have received international critical acclaim and are universally recognized by artists, curators, historians, and educators as the definitive texts in the genre of alternative process photography and photographically integrated media and culture. Christopher, after 13 years at Harvard University, is presently University Professor and Director of the MFA in Photography program at The College of Art and Design - Lesley University. He is also a painter, graphic designer, and a professional scuba diver. His web site is www.christopherjames-studio.com
Most helpful customer reviews
9 of 10 people found the following review helpful.
Don't leave home without it
By f64Islander
If you are having trouble sleeping don't pick this one up for a quick fix. Christopher's knowledge and wit will keep you engaged. I have a good many other books on alternative processes and this is my "Go to" volume. For those with an interest in historic processes, regardless of your skill level, this important text needs to be in your library. Neither the First nor Second editions have been anything other than first rate sources of information. My second edition is beginning to show the signs having a little too much chemistry spilled on it and I may have to get another as my breadth of knowledge and experience expands, thanks to Mr. James.
5 of 5 people found the following review helpful.
An amazing book
By Richard S. Sullivan
First a disclaimer. I helped on the cabon chapter and am the inventor of the Ziatype process, so I can hardly be called a neutral reviewer. However I do want to make a few comments.
Back in the late 70's another amazing book on this subject came out, Keepers of Light. It was an incredible achievement in its day but James's book exceeds it. Photo books come and go and only a tiny fraction ever get revised into a 2nd edition One would expect that after nearly 30 years the newer book having gone into a 2nd edition would be better, but this goes way beyond expectations. KOL was the spark that got me excited about process photography and to eventually start Bostick & Sullivan. I see this new book being a similar stimulus for young photographers to venture out into their own explorations of photography.
Christopher James should also be commended for not just producing a how-to book, but one that connects the modern day worker with the historical aspects of these processes. He covers the basic history of each process, which enlivens and adds to the fun of doing them. Did I say "fun?" Yeah, I did, and yes I know, we're supposed to be deadly serious about our art, but damn, this stuff is fun and you can't get away from that fact. That is also a theme that lies in the background throughout this book: art is fun.
Now this book is obviously targeted at the practicing photographer, but it deserves a much larger audience. Anyone interested in photography should read and have this book handy for a reference. Art and photo historians, collectors, curators, and folks that are just interested in photography will find their understanding of photography and photography's history enriched.
Perhaps now we will have fewer people making ink jet prints and calling them carbon prints. Ok, a personal peeve of mine. Sorry.
4 of 4 people found the following review helpful.
The best Alt Processes book ever
By J. Somers
I have 2 well worn copies of the first edition of The Book of Alternative Photographic Processes - I have kept the book by my side while printing and teaching as not only a resource but an inspiration.
The second edition of the book is a bit heftier due to all the fabulous new chapters that have been added and still goes with me to my classes and studio. My students call it "The Bible" they use it not only for technical advice but to look at the work of many different Alternative Process artists. Seeing the variety of approaches to the medium of photography represented in this book has opened my students' minds to the idea of playfulness in image making.
Christopher James offers a wealth of technical knowledge in his book but not one ounce of it is presented in an intimidating way, each chapter opens up new possibilities for approaching the photographic image and creating unique, expressive and playful creations.
The final chapter, "Light Marking", is new to the Second Edition and is a wonderful tool for photography instructors (and anyone else who wants to discover a new approach to an often highly technical medium). It gives many suggestions and clues on how to use the spirit of play as a tool for teaching/learning.
If my review has not convinced you to check out a copy of the book then just look at the cover image... A dog balancing on a ball, how can you resist!
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